The Art Of Willi Domgraf-Fassbaender (Preiser Records)
[b]Willi Domgraf-Fassbaender[/b] (February 19, 1897, Aachen - February 13, 1978, Nuremberg) was a German baritone, particularly associated with Mozart roles, one of the leading lyric baritones of the inter-war period.An ebullient, sometimes hyperkinetic interpreter of Mozart's Figaro, lyric baritone Willi Domgraf-Fassbaender enjoyed an important career in Europe during the 1930s and 1940s. Trim and handsome, he matched the requirements of Mozart's baritone roles with surpassing ease and was celebrated for his dramatic aptitude as well as his suave singing. While he primarily made his career on the Continent, his name achieved international luster from his appearances at the Glyndebourne Festival during that enterprise's infancy. In England, several of his Mozart creations were recorded in editions that have remained in the catalog ever since. Domgraf-Fassbaender began his studies by attending Cathedral School in Aachen with the intent of becoming a church musician. Later, he took voice lessons from Paul Bruns and Jacques Stückgold in Berlin, and later still, traveled to Milan to continue his studies with Giuseppe Borgatti. Mozart served for his debut in Aachen in 1922, although the role there was Count Almaviva in Le nozze di Figaro. Recognition of an exceptional voice and presence was not long in coming as he was subsequently engaged by Berlin's Deutsches Opernhaus, Stuttgart, and Düsseldorf before returning to Berlin in 1928 as the Staatsoper's principal lyric baritone. He remained with the company until 1948. The Glyndebourne Festival was born with a performance on May 28, 1934, of Mozart's Figaro and Domgraf-Fassbaender sang the title role. The other opera that first year was Così fan tutte, and in that production, Domgraf-Fassbaender was Guglielmo. Under the conducting of Fritz Busch and the stage direction of Carl Ebert, the baritone's performances took on a new degree of polish. Domgraf-Fassbaender remained with the fledgling company until 1937, missing only 1936 after having added Papageno to his gallery of portraits in 1935. In 1937, he sang Papageno at Salzburg with a stellar roster of colleagues under Toscanini's direction. Aside from the standard lyric repertory, Domgraf-Fassbaender achieved success in the title role of Werner Egk's Peer Gynt at the Berlin Staatsoper in 1937. In the post-WWII era, he sang at many of central Europe's major houses, later moving into stage production as his performing career drew to a close. His daughter, mezzo-soprano Brigitte Fassbaender, was also noted as a leading singer/actor. ~ Erik Eriksson, All Music Guide
[b]
The Art of Willi Domgraf-Fassbaender[/b]
[b]Disc: 1[/b]
1. Iphigenie auf Tauris: Ihr, die ihr mich verfolgt
2. Iphigenie auf Tauris: Die Ruhe senkt sich in mein Herz
3. Der Barbier von Seville: Ich bin das Faktotum
4. Rigoletto: Gliech sind wir beide
5. Rigoletto: Feile Sklaven, ihr habt sie verhandelt
6. Ein Maskenball: O nur du hast dies Herz mir entwendet
7. Aida: Ciel, mio parde!
8. Cavalleria rusticana: Oh, il Signore vi mandra
9. I Pagliacci: Nedda! Silvio!
10. Fiagros Hochzeit: So lang' hab' ich geschmachtet
11. Don Juan: Reich mir die Hand, mein Leben
12. Die Zauberflorte: Bei Mannern, welche Liebe fuhlen
13. Die Zauberflorte: Schnelle Fusse, rascher Mut
14. Mignon: Ihr Schwalben in den Luften
15. Hoffmanns Enrzahlungen: Schone Nacht, du Liebesnacht
16. Carmen: Diese Menge im Gedrange
17. Bajazzo: Heute fallt mein Geschick
[b]Disc: 2[/b]
1. Rigoletto: Sprich nie mit einem Armen
2. Rigoletto: Wenn ich an Festestagen
3. Rigoletto: Ach Gott, nur fur mich erflehte ich
4. Rigoletto: Ich bin stratbar
5. Figaros Hochzeit: Will der Herr Graf ein Tanzchen nun wagen
6. Figaros Hochzeit: Nun vergiss leises Flehn
7. Figaros Hochzeit: Ach, offnet eure Augen
8. Don Juan: Mein Herz, was soll dein Zagen
9. Don Juan: Feinsliebchen, komm ans Fenster
10. Don Pasquale: Gut, ja ich tu's
11. Das Nachtlager von Granada: Ein Schutz bin ich
12. Undine: Nun ist's vollbracht
13. Tannhauser: Wohl wusst' ich hier sie im Gebet zu finden
14. Tannhauser: Wie Todesahnung Damm' rung deckt die Lande
15. Der Troubadour: Vernahmt ihr? Wenn es tagt
16. La Traviata: Hat dein heimatliches Land keinen Reiz
17. Rigoletto: Hab' ich erst vollbracht
18. Ein Masketball: Fur dein Gluck und fur dein Leben
19. Hoffmanns Erzahlungen: Antonia! Himmel! So Hore!
20. Der Zigeunerbaron: Her die Hand, es muss ja sein
APE+CUE 210 Mb + 185 Mb
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http://rapidshare.com/files/179846342/DmgFs_1.part2.rar
http://rapidshare.com/files/179849378/DmgFs_2.part1.rar
[url=http://rapidshare.com/files/179852064/DmgFs_2.part2.rar]http://rapidshare.com/files/179852064/DmgFs_2.part2.rar[/url]
From: [b][url=https://melomaniacos.com/profiles.php?id=9115][color=#0000ff]almea[/color][/url][/b]
[url=https://melomaniacos.com/thread.php?id=14289]https://melomaniacos.com/thread.php?id=14289[/url]
應該是著名女中音Fassbaender的父親的錄音吧.
达票自領.
[[i] 本帖最后由 mcc2006 于 2009-7-1 19:58 编辑 [/i]] 老法斯宾德也是位相当杰出的男低音 男低音的声音很有魅力。 FTP4/090701_The Art Of Willi Domgraf-Fassbaender (Preiser Records)_2CD_mcc2006
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